Historial de versiones para Renoise (demo) for Mac OS X

<<Regresar a la descripción del programa

Cambios para v2.8.2 - v3.0.0

http://www.renoise.com/release-notes/300

Cambios para v2.7.2 - v2.8.0

Release Notes for Renoise 2.8.0
We are proud to present a new Renoise Release. Final versions of our latest release are now available to all registered users at the Renoise Backstage, and everyone else can check out the free demo versions. Everyone is invited to join our forums to discuss the new release.
Full 64-bit Support
Ever since our Linux users got a 64-bit version with Renoise 2.5, we've had a lot of requests for 64-bit support on all three platforms, and now it's ready. Running the 64-bit version, the memory-hungry among you can now take full advantage of the available resources in your machine, allowing you to break the 4 GB barrier.
Renoise 2.8 also comes complete with a native plug-in bridge, allowing seamless usage of 32-bit instrument and effect plug-ins inside the 64-bit Renoise process, and vice versa.
64-bit versions for all platforms: Windows, OSX and Linux
Plug-in bridge allows 32-bit plug-ins to be used within 64-bit Renoise
Full Rewire 64-bit support
Reworked Pattern Matrix with Slot Aliases
Workflow has been the keyword for most of the 2.8 development cycle. Thanks to the revamped Pattern Matrix and sequencer, it's now easier than ever to arrange your songs. By aliasing individual pattern slots, you can lay out complete tracks in no time. The new sections feature allows you to add structure and overview, while the streamlined sequencer helps to keep your project nice and tidy.
Alias individual pattern slots in the matrix, i.e. treat them like clips
Edit one slot and have changes propagate to all other aliases
Quickly clone or alias slots by dragging their edges
Use section headers to group parts of the song together
Track Groups & Collapsing
Another big workflow improvement is track grouping, which allows you to group related tracks together, and have each group share common effect chains. It's now also possible to collapse tracks and groups, which can do wonders for the overview of large projects.
Group tracks into logical units, collapse them for better overview
Flexible routing of group tracks
Collapsed tracks use minimal space, while still providing a quick overview
Pattern effects in groups will affect all member tracks simultaneously
Automatically collapse all tracks except the one you are focussing on
Color code tracks with adjustable background colors
DSP Effects and Meta Devices
And what would a new Renoise release be without a few new DSP effects?
New DSP Multitap delay for spaced out filtered echo madness
New DSP Repeater for st-st-st-stuttery goodness
New DSP Exciter to make your mixes sparkle
New Meta Mixer allowing blending of modulation signals into one output
Improved EQs with bigger graphs and all values can be automated
Improved Send devices, which can now be individually panned
New and improved crossover filters for the Multi Send device
Sample Editor
The Sample Editor has also got its fair share of workflow improvements.
Left & right channels can be edited separately
Zoom level & current selection are remembered per sample
Significantly faster sample loading
Destructively render slices to individual samples
Improved keyboard and mouse selection handling
Improved marker and waveform display visibility
New and improved processing tools (mute selection, insert silence, invert phase, swap stereo channels and cross-fading loop creator)
Improved Spectrum View
New Phase Correlation Meter in Phase Scope
Side-by-side comparison of two tracks in the spectrum view
New drawing modes: Filled Curve, Bar and Spectrogram
Configurable frequency scaling, precision, peak fall rate, and slope
Pattern Effects
Pattern effects in the master or group tracks will affect all member tracks
Up to 34 DSP devices can be addressed via pattern commands 1xyy-Yxyy
New pattern effects: Tremolo, Auto Pan, Set Envelope Position
Logical mnemonics for pattern effects from A to Z instead of cryptic numbers
Performance Improvements
Hyper-threading support for new Intel i5 and i7 CPUs and others
Various audio engine speed optimizations for all platforms
Other Workflow Improvements
Graphical BPM/LPB/TPL automation in the Master track
New Favorites system for plug-ins and native DSP devices
Expandable and detachable Envelope Editor
Memorize last used bank/preset paths per plug-in
Automatically name rendered songs/patterns
Right-side modifier keys are no longer hard-coded
Finer control over note distribution when dragging samples into keyzones
Improved color picker with saveable swatches
Context menus overhauled and made more consistent
Under the Hood
Quicktime is no longer needed to import MP3 files on Windows
Plug-ins are woken up from auto-suspend when clicking on their windows
Support for mono capture devices on OSX
New Jack implementation on Linux
Trimmed overall memory footprint
Lua Changes
Renoise Update Checker and Tools Auto Updater are now part of the default installation
Various new Lua API bindings

Cambios para v2.7.2 - v2.8.0 RC 1

Full 64-bit Support
Ever since our Linux users got a 64-bit version with Renoise 2.5, we've had a lot of requests for 64-bit support on all three platforms, and now it's ready. Running the 64-bit version, the memory-hungry among you can now take full advantage of the available resources in your machine, allowing you to break the 4 GB barrier.
Renoise 2.8 also comes complete with a native plug-in bridge, allowing seamless usage of 32-bit instrument and effect plug-ins inside the 64-bit Renoise process, and vice versa.
64-bit versions for all platforms: Windows, OSX and Linux
Plug-in bridge allows 32-bit plug-ins to be used within 64-bit Renoise
Full Rewire 64-bit support
Reworked Pattern Matrix with Slot Aliases
Workflow has been the keyword for most of the 2.8 development cycle. Thanks to the revamped Pattern Matrix and sequencer, it's now easier than ever to arrange your songs. By aliasing individual pattern slots, you can lay out complete tracks in no time. The new sections feature allows you to add structure and overview, while the streamlined sequencer helps to keep your project nice and tidy.
Alias individual pattern slots in the matrix, i.e. treat them like clips
Edit one slot and have changes propagate to all other aliases
Quickly clone or alias slots by dragging their edges
Use section headers to group parts of the song together
Track Groups & Collapsing
Another big workflow improvement is track grouping, which allows you to group related tracks together, and have each group share common effect chains. It's now also possible to collapse tracks and groups, which can do wonders for the overview of large projects.
Group tracks into logical units, collapse them for better overview
Flexible routing of group tracks
Collapsed tracks use minimal space, while still providing a quick overview
Pattern effects in groups will affect all member tracks simultaneously
Automatically collapse all tracks except the one you are focussing on
Color code tracks with adjustable background colors
DSP Effects and Meta Devices
And what would a new Renoise release be without a few new DSP effects?
New DSP Multitap delay for spaced out filtered echo madness
New DSP Repeater for st-st-st-stuttery goodness
New DSP Exciter to make your mixes sparkle
New Meta Mixer allowing blending of modulation signals into one output
Improved EQs with bigger graphs and all values can be automated
Improved Send devices, which can now be individually panned
New and improved crossover filters for the Multi Send device
Sample Editor
The Sample Editor has also got its fair share of workflow improvements.
Left & right channels can be edited separately
Zoom level & current selection are remembered per sample
Significantly faster sample loading
Destructively render slices to individual samples
Improved keyboard and mouse selection handling
Improved marker and waveform display visibility
New and improved processing tools (mute selection, insert silence, invert phase, swap stereo channels and cross-fading loop creator)
Improved Spectrum View
New Phase Correlation Meter in Phase Scope
Side-by-side comparison of two tracks in the spectrum view
New drawing modes: Filled Curve, Bar and Spectrogram
Configurable frequency scaling, precision, peak fall rate, and slope
Pattern Effects
Pattern effects in the master or group tracks will affect all member tracks
Up to 34 DSP devices can be addressed via pattern commands 1xyy-Yxyy
New pattern effects: Tremolo, Auto Pan, Set Envelope Position
Logical mnemonics for pattern effects from A to Z instead of cryptic numbers
Performance Improvements
Hyper-threading support for new Intel i5 and i7 CPUs and others
Various audio engine speed optimizations for all platforms
Other Workflow Improvements
Graphical BPM/LPB/TPL automation in the Master track
New Favorites system for plug-ins and native DSP devices
Expandable and detachable Envelope Editor
Memorize last used bank/preset paths per plug-in
Automatically name rendered songs/patterns
Right-side modifier keys are no longer hard-coded
Finer control over note distribution when dragging samples into keyzones
Improved color picker with saveable swatches
Context menus overhauled and made more consistent
Under the Hood
Quicktime is no longer needed to import MP3 files on Windows
Plug-ins are woken up from auto-suspend when clicking on their windows
Support for mono capture devices on OSX
New Jack implementation on Linux
Trimmed overall memory footprint
Lua Changes
Renoise Update Checker and Tools Auto Updater are now part of the default installation
Various new Lua API bindings

Cambios para v2.7.0 - v2.7.1

Fixes:
Mac OSX: Lua Error Dialogs May Crash Renoise
Lua samples[]:copy_from troubles when applied on sliced samples
Keyzone Editor, "Vel->Vol" Problem With Multiple Samples
Problem Loading .Rni Instruments From 2003
Hydra Destination Fx Name Incorrect When Renaming Device
Changes:
Undo/Redo Record Last Take Finetuning
Edit Step is Saved Again (As Preferences)

Cambios para v2.6.1 - v2.7.0

Release Notes for Renoise 2.7.0
Back To Beats. Renoise 2.7 transitions from the developer-heavy focus of the previous release to more musical concerns such as Sampling, Instruments, Automation, and Native DSPs.
Instrument Redesign and Sample Keyzones
Renoise's internal instruments have been re-engineered. The focal point is a new keyzone editor that supports overlapping, velocity, and key release mappings. The Sample Keyzones editor brings with it user interface refinements, improved drumkit generation, better tuning options, new sample properties, and loop modes. Live instrumentalists can also tap into new realtime rendering modes and MIDI input routing, making Renoise on a laptop a formidable replacement for your old sampler.
Some new Instrument & Sampler features at a glance:
Sample Keyzones GUI editor per instrument
Map different samples to different velocity ranges
Map samples to key release as well as key press
Stack samples and create overlapping sections
Toggle envelope on/off per keyzone
New Release sample loop option for exiting the loop on key release
MIDI Input can now be routed to individual instruments and tracks
Extended drumkit and keyboard layout generation options
Sample envelopes now have Points mode in addition to Linear and Curve
Autofade setting per sample for quickly fading beginning and end of samples
Select multiple samples and batch edit properties
Overhauled instrument properties GUI, now in lower tab
Sample Slice Markers
New Slice Markers push Renoise's breakbeat insanity one step further. With the click of a button, your break is sliced and keymapped. Amens away! More than just a beatslicer, creatives will soon discover custom offsets and the power of aliases for controlling longer recordings like vocals and soundscapes.
Slice marker features include:
Automatically detect transients in sample and place markers on them
Manually place and edit slice positions in sample editor
Trigger slices from keyboard as if they were regular samples
Trigger slices from pattern 09 commands
Trigger either only slice or remainder of sample from that point
Edit sample properties like loop, volume etc per slice
Automation Improvements
The revamped Automation Editor now provides a zoomable overview of the entire song, as well as vastly improved envelope resolution. Mouse handling has also been simplified, with fewer modifiers and more easily accessible draw mode, selections and context menu.
Automation precision increased to 256 steps per pattern line
Zoom level can be locked to multiples or fractions of whole envelopes
Values can be snapped to grid, lines or beats
Turn off Follow mode to detach edit position from playback position
Left-click and drag to select, drag a selected point to move/scale
New Track DSPs
Internal FX get an injection of winning with a new Comb Filter and a Multiband Send that lets you surgically redirect a single sound source to 3 send tracks. New draggable gain and frequency handles in the native EQs add flavour and finesse to the tools.
New Multiband Send device letting you send different frequency bands to different destinations
New Comb Filter device
Draggable handles for Frequency, Gain and Q for the EQ devices
Devices can now be renamed
Load and Save DSP chains from the device chain and device context menu
DSSI plugins now handle MIDI note events coming from the GUI
DSSI plugin windows always stay on top of Renoise window
Recording & MIDI
MIDI Input can now be routed to individual instruments and tracks
Pre-count metronome option for recording
Live recording MIDI notes/events will no longer create lots of Undo/Redo steps
More simultaneous Master/MIDI In devices supported
Store pattern quantize settings globally and not per song
Audio Rendering
Real-time rendering mode: render MIDI instruments and line-in devices, or hybrid VSTs
Mono/Stereo/Auto option added for the plugin grabber
Render Selection To Sample no longer renders DSPs on master channel
Other Tweaks and Fixes
Remember previous track mute states when soloing/unsoloing
New phase meter in Master Spectrum view
Track and master scopes synced to zero crossings for better readability
Audio headroom per track is now configurable (was -6dB)
Pattern Matrix no longer steals Pattern Editor focus when clicked
Navigating folders with many XRNX/XRNI files in Disk Browser considerably sped up
Trigger Autoseek samples also when triggering individual lines (with Return key)
Double click on scrollbars to zoom out fully in zoomable views
Updated Lua API bindings

Cambios para v2.6.1 - v2.7.0 RC 1

Release Notes for Renoise 2.7.0
Back To Beats. Renoise 2.7 transitions from the developer-heavy focus of the previous release to more musical concerns such as Sampling, Instruments, Automation, and Native DSPs.
Instrument Redesign and Sample Keyzones
Renoise's internal instruments have been re-engineered. The focal point is a new keyzone editor that supports overlapping, velocity, and key release mappings. The Sample Keyzones editor brings with it user interface refinements, improved drumkit generation, better tuning options, new sample properties, and loop modes. Live instrumentalists can also tap into new realtime rendering modes and MIDI input routing, making Renoise on a laptop a formidable replacement for your old sampler.
Some new Instrument & Sampler features at a glance:
Sample Keyzones GUI editor per instrument
Map different samples to different velocity ranges
Map samples to key release as well as key press
Stack samples and create overlapping sections
Toggle envelope on/off per keyzone
New Release sample loop option for exiting the loop on key release
MIDI Input can now be routed to individual instruments and tracks
Extended drumkit and keyboard layout generation options
Sample envelopes now have Points mode in addition to Linear and Curve
Autofade setting per sample for quickly fading beginning and end of samples
Select multiple samples and batch edit properties
Overhauled instrument properties GUI, now in lower tab
Sample Slice Markers
New Slice Markers push Renoise's breakbeat insanity one step further. With the click of a button, your break is sliced and keymapped. Amens away! More than just a beatslicer, creatives will soon discover custom offsets and the power of aliases for controlling longer recordings like vocals and soundscapes.
Slice marker features include:
Automatically detect transients in sample and place markers on them
Manually place and edit slice positions in sample editor
Trigger slices from keyboard as if they were regular samples
Trigger slices from pattern 09 commands
Trigger either only slice or remainder of sample from that point
Edit sample properties like loop, volume etc per slice
Automation Improvements
The revamped Automation Editor now provides a zoomable overview of the entire song, as well as vastly improved envelope resolution. Mouse handling has also been simplified, with fewer modifiers and more easily accessible draw mode, selections and context menu.
Automation precision increased to 256 steps per pattern line
Zoom level can be locked to multiples or fractions of whole envelopes
Values can be snapped to grid, lines or beats
Turn off Follow mode to detach edit position from playback position
Left-click and drag to select, drag a selected point to move/scale
New Track DSPs
Internal FX get an injection of winning with a new Comb Filter and a Multiband Send that lets you surgically redirect a single sound source to 3 send tracks. New draggable gain and frequency handles in the native EQs add flavour and finesse to the tools.
New Multiband Send device letting you send different frequency bands to different destinations
New Comb Filter device
Draggable handles for Frequency, Gain and Q for the EQ devices
Devices can now be renamed
Load and Save DSP chains from the device chain and device context menu
DSSI plugins now handle MIDI note events coming from the GUI
DSSI plugin windows always stay on top of Renoise window
Recording & MIDI
MIDI Input can now be routed to individual instruments and tracks
Pre-count metronome option for recording
Live recording MIDI notes/events will no longer create lots of Undo/Redo steps
More simultaneous Master/MIDI In devices supported
Store pattern quantize settings globally and not per song
Audio Rendering
Real-time rendering mode: render MIDI instruments and line-in devices, or hybrid VSTs
Mono/Stereo/Auto option added for the plugin grabber
Render Selection To Sample no longer renders DSPs on master channel
Other Tweaks and Fixes
Remember previous track mute states when soloing/unsoloing
New phase meter in Master Spectrum view
Track and master scopes synced to zero crossings for better readability
Audio headroom per track is now configurable (was -6dB)
Pattern Matrix no longer steals Pattern Editor focus when clicked
Navigating folders with many XRNX/XRNI files in Disk Browser considerably sped up
Trigger Autoseek samples also when triggering individual lines (with Return key)
Double click on scrollbars to zoom out fully in zoomable views
Updated Lua API bindings

Cambios para v2.6 RC 1 - v2.6

New context menu entries and keyboard shortcuts (think "My Improved Pattern Jump", "My Bypass all DSP Devices in Track", "My Generate Chip Sound Sample" commands and so on). A similar concept to the extensions in Mozilla's Firefox.
Custom graphical user interface elements with the look and feel of Renoise itself. Perfectly integrate your tools with Renoise and make them easy to use for others too.
Manipulate the Renoise main window or the song (patterns, tracks, instruments, anything that makes up a song). Generate, filter, or process song data in any way you can think of, e.g. for algorithmic composition, instrument creation, automation etc. The sky is the limit.
Help us create official features by prototyping your ideas, finetune them with the aid of the community and hopefully see them integrated into the core feature set of a future Renoise release.
Fully optional (no need to use it, when you don't need it)
Ability to mute parts of your song, without the need to create new patterns, also useful when playing livesets to develop patterns in real time (create full arrangements or "drafts" from a single pattern with just a few clicks)

Cambios para v2.0.0 - v2.1.0

New Features
ReWire & Jack Transport Support
(OSX/Win) Rewire Master (ReWire-in routing device) and ReWire Slave mode.
(Linux) Added Jack Transport
Live features in the Pattern Sequencer
Pattern Sequencer can be decoupled from viewed pattern (disable Pattern Follow).
Pattern Sequencer allows queuing patterns, deferred triggering.
Pattern Sequencer shows current playing pattern row in the player queue column. Green when follow mode is off, white when follow mode is on.
New Devices
Hydra device : Control up to nine parameters of other effects using only one input slider.
Keytracking device : Similar to the Velocity device but then ranges for key-note values affect the target parameter.
MIDI CC device got transformed to a MIDI Control device : Pitchbend, Channel Pressure and Program changing are now added parameters (and are now automatable through automation curves).
Fixes
Virus TI : Fixed a bug with the VST timing when the static buffers option is enabled & we've added some VST features which are normally not used. "Access" would fix some timing issues on their side to make our fix work so you also need to download their newest Firmware containing their solution to have a full fix.
OSX: Supercollider AU Wrappers show no parameters / crackle.
Pingpong Looped Sample + 05xx Resets Loop Direction
Ext. Midi Notes sometimes stuck (from MIDI Master Keyboard)
OSX: Audio Damage Plugins GUI Crash
Midi In From Mme+Wdm should not be used together by default
Middle Click On Envelope Automation Sets A Point
Linux: Wrong VST Instruments Properties label LADSPA instruments should not be mentioned
Renoise "Hickups" On Songplay After Idling
Changes
Loop info is now included when saving WAV and FLAC files
Clicking stop twice no longer rewinds the pattern-arranger to the first song-position.

Cambios para v2.0.0 - v2.1.0 RC 2

Fixes
Virus TI : Fixed a bug with the VST timing when the static buffers option is enabled & we've added some VST features which are normally not used. "Access" would fix some timing issues on their side to make our fix work so you also need to download their newest Firmware containing their solution to have a full fix.
OSX: Supercollider AU Wrappers show no parameters / crackle.
Pingpong Looped Sample + 05xx Resets Loop Direction
Ext. Midi Notes sometimes stuck (from MIDI Master Keyboard)
OSX: Audio Damage Plugins GUI Crash
Midi In From Mme+Wdm should not be used together by default
Middle Click On Envelope Automation Sets A Point
Linux: Wrong VST Instruments Properties label LADSPA instruments should not be mentioned
Renoise "Hickups" On Songplay After Idling
Changes
Loop info is now included when saving WAV and FLAC files
Clicking stop twice no longer rewinds the pattern-arranger to the first song-position.

Cambios para v1.9.1 - v2.0.0

Major Features
The development of these changes was split into 3 milestones. Precision, Timing and Plugin improvements.
PDC (Plug-in Delay Compensation)
Full, automatic, sample precise Plugin Delay Compensation (PDC) for Track FX (native and Plugin) and Instruments (aka everything). You simply don't have to care if a VST Plugin or instrument introduces unwanted latency. Renoise will compensate it for you under the hood.
Track Delay
Custom track delays to easily offset MIDI/Audio tracks. For example, laying back a snare can now be done in realtime in the mixer. Same goes for "MIDI tracks" (tracks with MIDI notes).
Timing Improvement (LPB & Delay Column)
"Ticks" no longer limited by the engine's note resolution / "Speed" is dead: LPB (Lines Per Beat) :
"Speed" (this tracker compatibility thing which no one understood, but somehow made the pattern scroll faster) is finally gone. Better said, it got replaced by more powerful and easier to use LPB settings (Lines Per Beat - how many lines in the pattern make up a musical beat).
Delay Column :
You can now offset notes and note commands with a gradient of 1/256 line precision (thats a PPQ of 4096 at LPB=16!) via a new "delay column" in the pattern editor. This might be the first time you record something in a tracker and it actually sounds exactly as groovy (or bad) as you played it!
revised Sample FX commands :
Pitch/Volume slides, glides now work independently of the sampler's "tick" rate. For example, 0110 will pitch notes a half-note up, 0101 a sixteenth half-note, etc. Volume/panning slides on volume/panning column now work as if their value was the first digit of the corresponding command column command (f.e.: 0720 = A2) See the tutorials pages for more info about these and other effects.
Also you can smooth/coarse the pitch and volume slidings by increasing/decreasing the Tick-Per-Line value thru the effect F2xx.
fractional BPM :
Added the ability to enter fractional BPM (like 127.56) is the BPM box. Fractional values can only be entered by double clicking the BPM value.
ready for the future :
NoteDelays and LPB are the most important and necessary steps for upcoming big features like Zoomable Patterns, Piano Roll, more accuracy (timing wise) with FX automations, and so on.
IMPORTANT: Not all of the changes are backwards compatible, thus only new songs can make use of all the new features. Old songs can be manually upgraded in the "Song settings" pane, but will probably need manual adjustments...
Audio Unit : (Mac OSX)
Mac OSX: Added support for Audio Unit (AU) Plugins (finally)
Note quantize options
Added note quantize options for realtime recording and Note nudge options in the Advanced Edit pane. There are also new shortcuts for realtime note quantization to quickly quantize after recording.
Full support for Multi Output VSTi (AU)
Multi output VSTis (AUs) are now fully supported. Samplers or Synths with multiple channels can now be routed to individual tracks.
Sending notes to VST (AU) FX
Sending notes to VST (AU) FX is now supported. Simply create a FX alias in the VST Instruments pane to do so (link an instrument to an existing FX).
Improved MIDI recording precision
Vastly improved MIDI recording precision by compensating event latencies (and of course also thanks to the new note delays / LPB settings)
Channel and Polyphonic aftertouch
Added support (recording and playback) for channel and polyphonic aftertough for MIDI and VSTi instruments.
Polyphonic aftertouch is sent when specifying a volume value (velocity) after a note on (but before a note off is present). Channel aftertocuh can be send via:
"--- 01 .. C3 0020"
(This will send a aftertocuh value of 20h to the instr. 01)
Improved audio latency when recording
The Line-In device now lets you specify the source of the recorded audio and will apply/fix latencies, as needed.
Improved audio performance : (OSX & Linux)
OSX & Linux: Improved audio performance (lower latencies are possible) when running Renoise on multi-CPU machines.
Note: On Linux, you have to configure your system to allow Renoise to create realtime threads. Usually this is done via PAM. Please see the Linux FAQ for more details on how to configure your system to make use of the improvements & fixes.
Minor Features
Besides the milestones there are plenty of relatively smaller features that are nonetheless very worthwhile.
Interface / OS integration :
Drag & Drop of external files (dragging songs/samples/.. into the Renoise window to load them)
Windows + OSX: Better support for Japanese and other input modes
Renoise GUI widget cosmetics
Tooltips do now show if a shortcut is "local"
Hitting escape while drag & dropping cancels dragging
Netbook Screen Resolution Support: The Renoise window can now be resized to min 990x550 pixels (upper or lower frame is automatically hiding if you use small Netbook screen which is smaller than 700 pixel in height)
Linux :
the ALSA configuration now allows changing the Periods/Buffer
Running Renoise when compiz is running will add a standard WM border around the window to get rid of the remaining problems with compiz
Mixer :
New helpful short names for LFO, Automate, Send and Velocity Devices (showing what they control, etc...)
Automations :
Added a "Show only used Automations" option to the automation list
Pattern Editor :
easier and more accurate mouse click/selection/navigation:
single clicks jump to the pointed position (optional)
middle click mutes / unmutes the track
added key bindings for "delete previous line [in columns/track/pattern]" which behaves like a "backspace" in a text editor
Rendering selections will no longer reduce the rendered volume. If you've set the master volume to 0 dB you can still lower the master volume manually to avoid clipping...
Added separator bars for note columns
More contrast between empty and non-empty data
Removed the "Show Framework" option
Double clicking in the Pattern while Pattern Follow is enabled and the player is playing will no longer jump to new lines
New tracks are inserted to the right now (instead of to the left)
Pattern Sequencer :
Added a "Add new unique Pattern" function Default shortcut is "Control + Alt + Insert" from the pattern editor
Disk Browser :
There is a small sample library now: Click on the Library Button in the DiskOps "Samples" category to see them
The Disk browser can be made bigger when needed by clicking on the "more" button.
Sample Editor :
OS Sample-Clipboard support (Windows only): Exchange (Copy/paste) samples with your favorite sample editor
Added mono mix modes to the "Adjust Sample" dialog
Added "Copy into New Sample/Instrument" actions. This action will keep the currently selected instrument focused / will not jump to the newly created sample to make for example beat cutting easier.
Added a "Mix-Paste" (modulate/add) action
Better (unique) names for newly created or rendered samples
Added a "markers" Snapping option which currently only snaps to the loop
Added an option to auto-select the currently played back "sample split"
VST/Plugin related :
Better performance and compatibility with VST instruments (less audio latency related crackles on Songs which use lots of VSTis)
Pimped Plugin Browsers:
The browsers for Plugin FX and Instruments can be made bigger by clicking on the "more" button.
The browsers will no longer occupy the whole screen height when only a few plugins are installed
Plugins can be hidden, moved, and renamed (right click on the entries)
Plugins are now by default (this can be changed, right click) organized by manufacturer
Added an option to skip searching for new Plugins on startup (to speed up startup on computers with huge Plugin collections)
Added an Info button ("?") for VST Instruments as well (works just like the old ones for FX)
Plugin compatibility options (such as multiprocessor behavior) can be changed by clicking on the info ("?") buttons
Added a preset rename button for Plugin instruments
Window positions of external interfaces are now memorized/restored with the song (external editors will open on the last used position on screen)
Added support for UAD2 DSP cards. Renoise will now run all UAD plugins with a fixed buffersize of 1024, which will result in less CPU overhead and better compatibility, also for the old UAD1.
Internal FX :
The FX presets show now if they are modified (via a small * behind the name)
"*LFO Device" improvements:
The "Reset" parameter can now be automated by other "*LFO Device"s or "*Velocity Device"s. This way you can automate/trigger the LFOs phase.
Added a one-shot option to the LFO device when running a custom envelope: This will avoid that the envelope cycles. LFO reset pattern commands will retrigger the envelope then.
The custom envelope view got a bit bigger
"*Velocity Device" fine tuning: See "this suggestion" for details
The Stereo Expander got now a "Mono Mix" switch
Added a new Filter device: Filter 3, which replaces the old "Filter 2" device. The new filter has four models. All come with LowPass, HighShelf, BandPass, BandReject, LowShelf and HighPass) modes:
a standard, precise and fast 24dB Biquad filter
an experimental, fast and "fruity" 24dB Moog filter emulation
a 4 stage Butterworth filter, for precise and ultra sharp cutoffs
a 8 stage Butterworth filter, for ultra precise and ultra sharp cutoffs
Inertia settings are more "detailed" in the lower areas now. This means your songs might need to be adjusted when you've used Inertia settings apart from the Max/Instant value
Added the old Filter2 Dist Comp modes into a new device "Scream Filter", with more options than you got in the old Filter2 device.
Added new native FX "RingMod" (as replacement for Filter2's RingMod mode)
Finetuned the LofiMat (its LofiMat2 now because the changes are not backwards compatible) "Quality" is visualized in Hz now, and will also react more precise than before. Also automating the Dry/Wet amounts should no longer click when automated
TrackDSPs :
Added an option to append instead of replace DSP chains when loading them. This can be configured by loading chains with options (right click a chain -> "Load with Options") or in the Im/Export Preferences
Groove Settings :
The global groove can now be switched on/off -> automated with the Pattern Command F400 -> Off, F401 -> On
Groove settings at high LPBs (> 8) will sound equal to their base factor LPBs. So when expanding a song from LPB 4 to LPB 8 or 16, the song will sound the same as with LPB 4.
Misc :
Added "Show Log file" and "Show Preferences folder" in the help menu so that you can easily find Log/Preferences files on your computer
Replaced the old "recent files" menu with "recently loaded" and "recently saved" file menu
Autobackups now also save for "Untitled" (newly started) songs. The backups are saved in the Preferences folder.
The clock is back ;) (in fullscreen mode)
And more :
Lots of small stuff/details which hopefully make composing even more fun...

<<Regresar a la descripción del programa

Descargas mas populares

Últimas adiciones

Más de últimas adiciones

Ayúdanos

AfterDawn:

Contactar